Brad Silberling’s instincts are right about half the time, which means that, depending upon your point of view, his films are either half-empty or half-full. His last picture, 1998’s City of Angels, an American remake of Wim Wender’s poetic Wings of Desire, tried to marry European art house cinema with…

Lee Holloway (Maggie Gyllenhaal) is released from a mental institution the day of her older sister’s wedding. One afternoon with her dysfunctional family and she’s ready for rehab again. No such luck, however, so instead, Lee turns — or returns — to her favorite pastime: self-mutilation. Based on a short…

Quick! Name a brilliant mathematician at one of the country’s leading academic institutions who, despite obvious emotional problems that keep him on the edge of a nervous breakdown, is enlisted by his government to decipher seemingly impenetrable military communications that the enemy sends to its operatives around the world. If…

Cell phones and silk saris, dot-coms and arranged marriages — Monsoon Wedding, the latest film from Indian-born director Mira Nair (Salaam Bombay!, Mississippi Masala), captures the heady mix of old and new, rich and poor, traditional and modern that defines contemporary India. A sort of Father of the Bride set…

Part comedy, part tragedy and all bite, No Man’s Land damns and mocks in equal measure, painting a picture of war’s absurdity that should make peaceniks of us all but, likely, won’t. Although set in the former Yugoslavia during the Bosnian-Serbian war, the movie transcends its geographic borders: Bosnian-born writer-director…

To call a movie the most accessible Dogme 95 film ever made is not merely damning with faint praise. It also threatens to alienate the two segments of the population that might consider going to see such a film in the first place: fans of the back-to-basics, no-frills-of-any-kind Danish filmmaking…

Cate Blanchett can do no wrong, but even she can’t save Charlotte Gray, a World War II drama that never rises above the level of a 1950s-era adolescent romance novel. The Australian-born actress, who should have won an Academy Award for her performance in 1998’s Elizabeth, plays the titular character,…

It is difficult to imagine a more timely film than Focus; certainly, its message about intolerance resonates in a post-September 11 world in ways the filmmakers never anticipated. Adapted from Arthur Miller’s little-known 1945 novel of the same title, Focus looks at what happens to a society when basically decent…

Anybody with siblings knows that, while birth order isn’t the determining factor in how we develop, it certainly provides a convenient excuse for any number of undesirable character traits. The eldest child can be insufferably responsible and bossy, lording it over his or her younger siblings, or wild and crazy,…

Even more than the recent Depression-era comedy O Brother, Where Art Thou?, the turn-of-the-century drama Songcatcher is an absolute treasure-trove of old-timey, traditional folk music. Set in the Blue Ridge Mountains of Appalachia in the year 1907, the film follows city-bred musicologist Dr. Lily Penleric (Janet McTeer) as she traverses…

Like nearly all Merchant/Ivory productions, The Golden Bowl, their latest book-to-film adaptation, is a feast for the eyes, with choice real estate, exquisite interior design and dazzling costumes all bathed in a golden light that not only enriches the colors but helps to give the settings a sense of depth…

Watching this film is like watching a donkey being beaten for 90 minutes, so egregiously is the titular character treated and so powerless does she appear against her offenders. That the abuse is treated in a comedic fashion for a good part of the film makes it even more unacceptable…

In Hollywood, all it takes is one big hit. Sandra Bullock’s ticket to stardom was the 1994 sleeper Speed, a rip-roaring action/crime thriller that co-starred Keanu Reeves. With her cute girl-next-door looks and ingratiating physical klutziness, Bullock established an instant rapport with audiences. That perception of adorableness was further enhanced…

Fascinating and engrossing on every conceivable level, this beautifully constructed feature-length documentary opens with the mournful sound of a train, and images of toys and books sitting untouched in what was once a child’s bedroom. As the credit sequence ends, an elderly woman addresses an unseen interviewer, recalling the day…

The wonder of Solas, the latest in a growing list of remarkable Spanish films that have recently made their way to the U.S. (Butterfly and Goya in Bordeaux are also well worth seeing), is a courtly old gentleman referred to simply as “Neighbor.” Played to absolute perfection by Carlos Álvarez-Novoa,…

Early in Spanish director Carlos Saura’s stunning new film, the 82-year-old protagonist, the great 19th-century painter Francisco de Goya, awakens from a disturbing dream and rises to see an apparition of his lost love, the Duchess of Alba. Following her down a surrealistically white hallway, he suddenly finds himself outdoors…

Although not nearly as well-known as Woody Guthrie or Pete Seeger — to say nothing of Bob Dylan — Ramblin’ Jack Elliott was a key figure in the American folk movement of the 1950s and ’60s. Unlike his more celebrated contemporaries, Elliott wrote relatively few songs himself but was a…

I never imagined the day would come when I would cringe to see Ralph Fiennes on screen. Not only is he shamelessly good-looking, but, whether playing the brooding, remote figure doomed by love in The English Patient or the bloodless commandant of a Nazi death camp in Schindler’s List, he…

The moody, feverish images that fill Running Free are so exquisite they almost make up for the film’s disastrous auditory misstep: the decision to cast Lukas Haas as the voice of Lucky, the chestnut foal that narrates this unusual adventure story. A cross between Nicholas Roeg’s Walkabout and Jean-Jacques Annaud’s…

When asked to name the most erotic sequence they have ever seen in a film, people tend to pick moments like the love scene between Julie Christie and Donald Sutherland in Don’t Look Now or that indelible image of Kathleen Turner in Body Heat, standing just inside her house, silently…

It is difficult to reconcile American perceptions of Iran, a rigidly authoritarian Islamic fundamentalist society, with the captivating and compassionate films that emanate from the country. Most of these pictures, including the 1995 Cannes Film Festival Camera d’Or winner The White Balloon and the 1998 Best Foreign-Language Film Oscar nominee…

La crème de la coiffure! A mock documentary about, of all things, a Scottish hairdresser who travels to America to compete in an international hairstyling tournament, The Big Tease is a mildly amusing romp that benefits enormously from an ingratiating performance by Scottish actor Craig Ferguson, who also co-wrote the…