Albert Maysles, with brother David, made two different films about two different rock-and-roll bands five years apart, but to this day he can’t think of one without immediately thinking of the other. The first he was shooting 40 years ago this very day, more or less: The Beatles were on…
It was only a few days ago that Shane Carruth, software engineer-turned-filmmaker, was ready to walk away from the money on the table and keep his movie–78 minutes’ worth of cheapo celluloid that had, in a Utah instant, become as valuable as strands of gold. He had stopped answering his…
Win a Date With Tad Hamilton! opens with a movie within the movie. It’s the 1940s, and a hunky, square-jawed soldier (played by Tad Hamilton, who’s played by Josh Duhamel) stops his car along the side of a damp road; a woman, dressed in virginal nursing whites, gets out of…
Never met a tribute album worthy of its appellation. They’re doomed, if not outright damned, endeavors that make you wonder whether the artists involved ever listened to, learned from or felt the musicians to whom they’re paying homage. The Clash has already suffered such an insult — Burning London, it…
There are two options when discussing Chasing Liberty, in which pop star turned actress Mandy Moore plays a president’s daughter named Anna Foster who wants some alone time, sans Secret Service, to go clubbing in Europe, hang with friends and lose her 18-year-old virginity to a Brit in his 20s…
For all of its inspired side trips down Imagination Lane (let’s call it that, because the “memories” of protagonist Edward Bloom are too majestic to be trusted and too affecting to be discounted), Big Fish is ultimately about one thing: the relationship between a son about to become a father…
It has become a subject of much discussion and debate amongst film fetishists in recent weeks: For which movie will Sean Penn win the Academy Award, Mystic River or 21 Grams? Perhaps this seems like so much jockeying for blurbs on a movie poster or a newspaper advertisement — Sean…
This being the end of the year, and since none of the people I wanted to write about this week felt it necessary to return any of my calls, from the leftover heap comes this collection of random topics I considered tackling this year but lost interest in after 200…
Honey is one of those movies you will see (or not, whatever), swear you’ve seen before in several other guises and incarnations, then immediately forget you ever saw to begin with. Its story, about a would-be dancer trying to plot her escape from mean streets (or mean movie sets and…
Maybe you know the feeling. Maybe it struck you one morning as you stared in the mirror before trundling off to the job you hate, or maybe it hit you so hard one night it woke you from your sleep like a prowler in the bedroom. It’s that feeling of:…
In director Ron Howard’s The Missing, Tommy Lee Jones’ Samuel Jones takes his place among the oldest archetypes in the Western genre — the white man who has lived among the Indians ’til he has at last become one. This plot device, used in Hombre and Nevada Smith and myriad…
With its soundtrack stockpiled with songs of romance and Christmas and a screenplay by the man who wrote Bridget Jones’s Diary, Four Weddings and a Funeral and Notting Hill, it’s appropriate that Love Actually feels less like a brand-new movie than a greatest-hits compendium. It offers nothing new and instead…
Pieces of April, made by playwright turned novelist turned screenwriter turned director Peter Hedges, could be confused for a compendium reel of someone’s home movies. Shot on digital video using existing light, it looks like something assembled by a film student for a final and lost soon after, left behind…
‘Tis the season and all that jive; beneath the tree this first week of November you will find two films set during the final week of December, when sugarplums and candy canes go on sale at the concessions stand for all the good little girls and boys’ parents to buy…
Even when people were watching Will Ferrell on television every Saturday night, they weren’t seeing Will Ferrell. They saw no more than a glimpse of him, beneath wigs and behind glued-on beards and buried under characters who became almost better known than he during his seven years on Saturday Night…
On October 12, BBC America aired the second-season premiere of The Office, the beloved mockumentary that follows paper-selling rats ’round the maze of cubicles leading to the office of head cheese David Brent, a pathetic little man who says in public things no rational human being would even think in…
Dave, a man who’s barely there, lulls his son to sleep with stories of a boy lost in the woods who escapes from wolves; it’s a thrilling bedtime story for the child, a tale that never loses its excitement with each repeated telling. Dave, played by Tim Robbins like some…
The opening credits insist Kill Bill: Volume 1 is “Quentin Tarantino’s 4th film,” when it’s actually his 3.5th; it’s too incomplete to be measured as a whole, half a movie waiting for a proper ending due to arrive in the next volume in February. Until then we’ll have to contemplate…
It’s beginning to look as though the films of George Clooney are less the works of fiction than the products of documentary crews following around the actor leading his enviable life. In film after film, he’s seen dining with beautiful actresses in gorgeous surroundings perfectly lighted for an evening’s seduction:…
D irector Richard Linklater’s School of Rock imagines, sort of, what might have become of voluble rock snob Barry the morning after his grand finale in Stephen Frears’ adaptation of Nick Hornby’s High Fidelity — after his Marvin Gaye impersonation had faded and been forgotten in the daylight hours, after…
Out of Time, in which we’re to believe 48-year-old Denzel Washington and 32-year-old Sanaa Lathan were high school sweethearts, demands its audience ignore all manner of implausibilities. Chief among them is the behavior of Washington’s Matt Whitlock, chief of police in a tiny coastal town just outside of Miami, who…
