In Nobel Son, Feel-Good Filmmaker Randall Miller Goes Bad . . . Very Bad
Nobody in the film industry wants to be pigeonholed. Personal assistants long to be studio heads, gaffers want to direct, and name actors fantasize about hanging it up and doing something that, y’know, matters. In such an environment, director Randall Miller’s career is fairly typical. Using his 1990, feel-good film-school…