Arts & Culture

… I imagined how whatever scene I was watching might have been staged and shot and acted out in a more traditional film — and I was inevitably disappointed by what has been lost …

Weitz’s film, concerning a Mossad team’s 1960 hunt for Eichmann, is a sort of Argo Goes to Munich, blending heist movie jollies with some moral inquiry into justice, revenge, torture and execution

Peretz could have given each potential pairing equal time in the story, but he sticks with the most evocative of the two; Juliet, Naked has its charms, and they are named Rose Byrne and Ethan Hawke

This is a portrait of a decades-long partnership coming to a head but also of the American literary community reckoning with what so many know to be true: Women are still not seen as “serious” writers or contenders for major prizes

Happytime Murders, though, demands that we take its world somewhat seriously, that we invest ourselves in the tensions between people and puppets, that we buy into its by-the-book serial-killer narrative …

Through the stories of how these teens ended up at God’s Promise, Cameron Post suggests the rigid hegemony of American life, the all-too-common story of religious belief perverted in the service of fitting in

Bujalski frames most of Support the Girls as an almost real-time delineation of chaos, but his storytelling elegance — delicate, nearly invisible foreshadowing; cogent evocations of backstory — adds reflective layers to the surface anarchy

This new version, directed by Danish filmmaker Michael Noer, brings to the story a refreshing intensity and sweep, and even a sense of adventure

Filmed in black and white in the wintry countryside of Görlitz, Germany, Schwentke’s vision of a man who would be posthumously named the Executioner of Emsland is chilling and yet, at times, almost farcical

Local horror buff Victor Moreno will show Romero zombie flicks and Japanese curios.