Arts & Culture

The problem with I Feel Pretty isn’t that it’s offensive but that it’s often plodding and unfunny, almost as if its creators are afraid to have too much fun with such a loaded premise

The film — which is nowhere near as interesting as LaBeouf’s performance — is hopelessly reductive about its subjects’ psychology even as it mocks the press of 1980 for being reductive about its subjects’ psychology

Set in Cannes (which, big surprise, is also where it premiered), Claire’s Camera opens with three scenes depicting the firing of a young woman, Man-hee (Kim Min-hee), from her job at a Korean film sales company

The film opens with a dreary series of fake-outs and fantasies, culminating in a gunfight and car chase that suggest Broken Lizard would rather be making a different kind of movie

Lost in Space is nearly Steven Spielberg airy, telling the story of a super-smart family selected to populate a Utopian space colony but who get lost somewhere along the way

Fresh ideas are rare in the horror game, so it’s not surprising that Truth or Dare quickly devolves into a riff on the Final Destination films, which had Death wittily and methodically hunting those it failed to nab in plane crashes and other disasters