A splendid jewel box of a movie about rather grisly matters, the filmmaker’s latest represents another example of the clash between his playfully self-aware aesthetic and his growing obsession with our inhumanity
Disco balls, storybook characters, and photos on silk.
It cost zero dollars.
A round of applause.
It features fresh work by contemporary choreographers.
It’s fun stuff, but in a deeply corrosive way — daring to suggest that people engaged in a soul-sickening endeavor will find, well, their souls sickened
Get ready to see some shredding.
This year’s event spanned an unprecedented six days.
Think of Flower as a little like Sofia Coppola’s teen-thief satire The Bling Ring with the realism and consequences to bad behavior of Catherine Hardwicke’s Thirteen
The film tells the story of a terrorized woman in a mental hospital who’s trying to convince the staff and patients that she shouldn’t be there and is being held against her will
Need plans? We got you.
“The robots were the good guys, because humans drove them. So maybe they weren’t technically robots. Well, some of them were.”
Thomas “Breeze” Marcus was the lead artist for the piece, which went up over Art Detour weekend.
Yes, it’s free.
Here’s what we know so far.
Uthaug’s film, like the recent reboot of the video-game series, gives us a grittier Lara Croft.
It’s worth reconsidering The X-Files’ feminism today, especially when so much of the series’ fan goodwill is based on the quietly political leaps it made in the last century.
We talk with the artist about her work and the best advice she’s ever received.
If you’ve ever wondered what it might look like to crossbreed an edgy cable comedy with a jovial network sitcom, A.P. Bio, created by former SNL writer Mike O’Brien, suggests just that sort of Frankenfood
Making it rain has long been mainstream, but the FX show presents a more novel sight: average Atlanta residents, reckoning with what often gets treated as a national rite of passage
