Lafosse’s After Love Lays Bare the Economics of Breaking Up

The original French title of Belgian director Joachim Lafosse’s latest domestic drama is L’economie du couple, which translates (awkwardly) as “The Economy of the Couple.” It’s understandable that a U.S. distributor would opt instead for the rather nondescript and bland After Love — who the hell wants to see a…

15 Art Shows During September First Friday in Downtown Phoenix

Circle the date September 1 on your calendar, because that’s when you can see more than a dozen fresh art shows in and around downtown Phoenix. First Friday promises new exhibitions and one last-chance opportunity. The “Frida Kahlo and Diego Rivera” exhibition at Heard Museum closes after Monday September 4…

Follow-up to Goon Lands a Lot of Jokes — and This Time, They Sting

Here’s a shocker: What might’ve seemed an ill-advised sequel to a surprisingly not-bad little hockey comedy is … surprisingly not bad! In fact, in some ways Goon: Last of the Enforcers actually manages to improve upon its forebear, connecting on jabs at a rate roughly equal to that of the…

Spielberg’s Close Encounters Returns in All its Confounding Glory

In one sense, Steven Spielberg’s 1977 UFO bliss-out, Close Encounters of the Third Kind, is reprehensible. It is, after all, the story of a daydreamer dad (Richard Dreyfuss) who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another: Teri Garr for…

Menashe Makes Slacker Comedy out of Orthodox Life

On a crowded Brooklyn street, an Orthodox Jew adjusts his yarmulke, a tefillin bag under his arm. He speaks on a smartphone and practically struts. The man, as dandified as one can look in a black suit and a white shirt, is a red herring in Menashe. Several other Brooklynites,…