Bill Paxton’s Offhand Mastery Powers on-the-Run Thriller Mean Dreams

Even if it were not for the fact that Mean Dreams has become Bill Paxton’s penultimate picture, Nathan Morlando’s thriller would be worth recommending entirely on its own merits. Start with cinematographer Steve Cosens (The Tracey Fragments), who uses sharp focus and the occasional faded Polaroid-style filter to lovingly caress…

Shirley MacLaine Dominates the Life-Lesson Indie The Last Word

Shirley MacLaine has been described by press and co-stars over the years as “rude,” “nasty,” “difficult” and “selfish.” Hell, she’s called herself impatient, caustic and much worse. None of that has stopped her from being a fiery mainstay in American screwball comedies and dramas. Her signature pixie cut came to…

The Ottoman Lieutenant Makes Romantic Hash Out of an Epochal Tragedy

Let’s say you had to make up a list of historical moments that might serve as grand backdrops for sweeping, old-fashioned, Hollywood-style romantic dramas. How high would you rank the Armenian Genocide? How high would you rank any genocide? Watching Hotel Rwanda, you probably never hoped that, amid the carnage,…