On a double bill with L.A. Confidential, Chinatown, or just about any film made after 1970 about institutional corruption in Los Angeles, Clint Eastwood’s Changeling, a period drama based on a 1928 Los Angeles missing-child case, would come off as faintly geezer-ish noir lite. As LAPD scandals go, the case…
The protag of Mike Leigh’s Happy-Go-Lucky is a modestly gaudy people’s heroine industriously repairing the social world, one frayed interaction at a time. After extended cameos in two previous Leigh films (as a resourceful pop tart in All or Nothing and the date-raped rich girl in Vera Drake), fine-boned Sally…
Pride and Glory doesn’t make any effort to disguise what it is: a barely-held-together string of vignettes lifted from every cop movie ever made (save, perhaps, Turner & Hooch). It serves up clichés bound together by a flimsy, bored-out-of-its-own-skull story about bad cops, black sheep, good sons, and a climactic…
Those who believe that Jonathan Demme went all soft with Philadelphia and never recovered may not be reassured by his latest movie, an ensemble tale of family pathology gussied up with vérité camera work, world music, and improvising actors both trained and not. You can find the worst and the…
W. may be less frenzied than the usual Oliver Stone sensory bombardment, but in revisiting the early ’00s by way of the late ’60s, this psycho-historical portrait of George W. Bush has all the queasy appeal of a strychnine-laced acid flashback. Hideous re-creations of the shock-and-awful recent past merge with…
Sitting in the back of the restaurant at New York’s über-chic Royalton Hotel in an orange polo shirt and khakis, Oliver Stone looks out of place among the bed-headed hipsters otherwise casing the joint (unless, perhaps, he’s instigating his own, retro-Yale fashion trend). Given that the perfectionist director, who has…
A young woman fights off her brutal husband; a gun goes off; a marble spins on the floor where a toddler sits unattended. From B-movie beginnings, The Secret Life of Bees, a family drama set in the civil rights-era South, chugs along pleasantly like a television special tailored for the…
The management of the movie house confiscated my cell phone at a screening of Sex Drive last week. “But I’m with the press,” I explained to the security guard who was frisking me. “I’m here to review this thing.” “Doesn’t matter,” he said as he passed a metal detector between…
A new kind of war movie for a new kind of war, Body of Lies is about the war on terror as it is being waged on the ground, in the air, but most of all in cyberspace. Directed with terrific verve by Ridley Scott (coming after the listless American…
The Duchess is the best women’s movie of the past few months. Don’t get too excited: Sex and the City, Mamma Mia!, and The Women set the bar so dismally low that almost any film with a dame in it who doesn’t channel her identity only through buying, boogieing, and/or…
The most recent example of bleak chic, Fernando Meirelles’ mostly harrowing adaptation of José Saramago’s international bestseller Blindness mixes the high-velocity pace and stylishness of the Brazilian director’s breakout City of God with the Portuguese author’s thinly metaphysical horror thriller. Unflinching at best and treacly at worst, the film unveils…
“Course he’s willing to die. You think we do this kinda work ’cause we scared to die?” So speaks Virgil Cole (Ed Harris) about his sidekick Everett Hitch (Viggo Mortensen), as the two stare down a posse of bad guys in Appaloosa, New Mexico, circa 1882. Cole and Hitch, who…
On some level, you’ve got to hand it to Spike Lee. There are probably less than a handful of directors working in Hollywood today who could put together the financing for a three-hour war movie lacking any marquee names and performed largely in Italian and German with English subtitles. Spielberg…
There’s a whole lotta fucking going on in Choke, Clark Gregg’s adaptation of Chuck Palahniuk’s first-person novel about a sex addict named Victor Mancini with severe Mommy issues — fucking in a cramped airplane bathroom, on a barnyard’s itchy haystack, in a grimy toilet stall, in a hospital chapel even…
It takes a good while for Ricky Gervais to warm up in Ghost Town; it takes even longer for the audience to warm to Ricky Gervais. During the opening minutes of Ghost Town — an occasionally effective mash-up of Ghost, The Sixth Sense, and The Frighteners — Gervais, as Bertram…
Earlier this year, when I was assigned to jury duty on a drug-related trial at the Los Angeles Superior Court, our jury foreman turned out to be a blond, blue-eyed reality-TV producer from the bedroom community of Altadena. During the jury-selection process, when the judge asked if we had any…
Masters of the carefully crafted cheap shot, Joel and Ethan Coen have built a career on flippancy. Given their refusal to take anything seriously — least of all the enthusiasm of their fans — the brothers surely got a chuckle from an upcoming academic tome, The Philosophy of the Coen…
“What do you think this is?” cries a lady who lunches in Diane English’s remake of George Cukor’s The Women. “Some kind of ’30s movie?” Even without the 14-year struggle to get the Murphy Brown writer’s pet project past studio doubters, it would be a tall order to remake George…
Another summer movie season comes to an end, not with a bang but a whimper — what else to call four new releases (Babylon A.D., Bangkok Dangerous, College, and Disaster Movie) in the past 10 days that weren’t screened for critics by their respective distributors? These are, literally and figuratively,…
Despite his reputation as that rarest of creatures — a Hollywood intellectual — new evidence suggests that Steve Martin reads (prepare yourself) thrillers and spy novels. Or at least that’s the only conclusion one can draw from the “Story by” credit the comedian receives on Traitor, an uneven yet engrossing…
When I’d heard that Quentin Tarantino handed the Grand Jury Prize for best feature to Courtney Hunt’s Frozen River at this year’s Sundance Film Festival, telling the audience that the movie “put my heart in a vise and proceeded to twist that vise until the last frame,” my jaw went…
A glint in his eye and a grin on his lips, artist Don Bachardy looks into the camera and explains the dynamic of his three-decade relationship with the late literary icon Christopher Isherwood as if it were a fairy tale. “His role,” says Bachardy, “could be described as that of…
