It’s a real credit to Intimate Strangers director Patrice Leconte that even though his film features a couple of ridiculous contrivances to get the plot going, the overall film still feels very true. Leconte has a gift for depicting the quirks of odd relationships; his last film, Man on the…
In We Don’t Live Here Anymore, an overwrought domestic drama about a pair of entangled couples, Peter Krause plays philandering writer Hank Evans, struggling to produce as he propositions female students at the college where he teaches. Blithely pretentious, fretful only over his writing, Hank observes from a distance as…
Oh, Janis. Oh, gorgeous, outrageous, soul-ripping, rockin’ bluesy mama Janis Joplin. She’s a volcano. She’s a tsunami. She’s a fearless, reckless, raging American beauty. Watch her tear open her chest to reveal her hot, pulsing wounds. Watch her rage with burning, glorious light. Watch her smile that sweet Janis smile…
Whatever is worthwhile about The Hunting of the President — a new documentary on the right-wing attack dogs that conspired to bring down Bill Clinton throughout his presidency — the film is plagued by a single, damning problem: It was made by Harry Thomason. Thomason is an über-F.O.B., a very…
There’s a new movie called Hero. Don’t confuse it with that dusty Dustin Hoffman vehicle, nor with the epic Bollywood musical espionage extravaganza Hero: Love Story of a Spy (though that’s worth a mind-altering look if you can find it). America and India aren’t directly involved here, but huge imperial…
Winner of the Dramatic Audience Award at the 2004 Sundance Film Festival, Maria Full of Grace is an uncomfortably realistic look at a 17-year-old Colombian woman who, desperate for a job, agrees to swallow capsules of heroin and transport them to New York. Although a work of fiction, the film…
Those of us who have grown up in the United States may be weary of our country’s claims of freedom and opportunity. Faced with a wobbly quote from our leader attributing terrorism to envy, we might roll our eyes, aware of a reality far darker and more complex. But there…
You know how fear is scary? Well, director E. Elias Merhige is into that, especially in his new serial-killer thriller Suspect Zero. Absent, however, is the dark-comic malevolence the director smartly cultivated in his successful and disquieting Shadow of the Vampire a few years ago, bullied and bulldozed out of…
It should go without saying that when one goes to see a movie about giant killer snakes, the main point of the whole endeavor is to watch people get eaten by giant killer snakes. Hardly rocket science, that. But while Anacondas: The Hunt for the Blood Orchid does feature a…
The future is almost here. At least, it is according to screenwriter Frank Cottrell Boyce (Pandaemonium) and director Michael Winterbottom (24 Hour Party People), two cinematic visionaries whose combined vision in Code 46 sparks tremendous intrigue — and unrest. At once a weirdly familiar sci-fi trip, a bleak romance, a…
Summer movies don’t get much sillier or more empty-headed than Without a Paddle, and that includes Catwoman and King Arthur. What we have here is a low-wattage buddy flick proposing that a trio of boyhood friends, now 30 years old, can shed the last vestiges of their adolescence by traipsing…
Although most people in the moviegoing universe by now know the differences between an “Alien” and a “Predator,” putting the two critters together in one movie really ought to necessitate more specific species names for each, since both are technically aliens and predators (they’re from outer space and they hunt…
A good friend likes to say that there’s only one kind of great pop song — the song that someone had to create, as though the writer and performer had no choice. The song can be corny or cynical, upbeat or downhearted; it doesn’t matter. All that counts is that…
Garry Marshall is at it again. The director of Pretty Woman, Beaches and the original Princess Diaries has returned to peddle his particular brand of überschmaltz in The Princess Diaries 2: Royal Engagement, in which he disguises an insidious worship of wealth and privilege as a “feel-good” comedy about a…
Most boys seem to tumble down the assembly line with their main switch factory-preset to Aggression. Toys are for throwing, army men are for melting, and eventually grown males consider punching each other senseless, hurling deadly bombs, or surreptitiously undermining one another to be completely reasonable forms of discourse. But…
As a reviewer, it can be very tempting to want in on the ground floor of a phenomenon, to say you were there first when some low-budget feature with a nifty premise made its festival debut, only to be picked up by a big studio and become a national phenomenon…
Sheathed in a custom-tailored gray suit and sporting expensively barbered silver hair, Tom Cruise looks like an older, harder version of the self-absorbed L.A. sharpie he played 16 years ago in Rain Man. But in Collateral, a frenetic Michael Mann thriller that runs up a Baghdad-level body count, Cruise’s character…
Deep in the dangerous wasteland of America, far removed from civilization, there exists a community driven by fear, sworn to isolationism. They loathe outsiders, whom they regard as terrifying monsters. They make up strange rituals to guard themselves against the vast world beyond their borders. And while they may feast…
Little Black Book, with its Carly Simon soundtrack all but daring you to tune it out before it begins, is being marketed as a daffy romantic comedy in which a woman plows through her boyfriend’s Palm to uncover his past relationships. In truth, the movie’s anything but light and frothy;…
You may have already heard the stories about A Home at the End of the World. In what many viewers have deemed a big loss, Colin Farrell’s penis no longer appears in the film. The official line is that test audiences found it too distracting, though that seems unlikely, given…
Perhaps the most unlikely thing to capture on film is the creative process — the spinning of gears, the tripping of wires, the breaking of hearts, and the snapping of tempers that goes into the making of art. Movies about writers and painters and musicians seldom collapse the barrier between…
Jonathan Demme’s gutsy The Manchurian Candidate, which dares to rear its head just after the Democratic National Convention in Boston, is the anti-Bush-administration movie for those who refuse to see Michael Moore’s Fahrenheit 9/11 or Robert Greenwald’s Outfoxed because, well, they just ain’t Right. It’s less a remake of director…
