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See which Arizona lawmakers voted to release the Epstein files

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Film, TV & Streaming

Showing 683 - 704 of 5986
<i>The Marvelous Mrs. Maisel</i> Invites Us to Toast a Women-in-Comedy Revolution

The Marvelous Mrs. Maisel Invites Us to Toast a Women-in-Comedy Revolution

By Lara ZarumNovember 29, 2017

… The Marvelous Mrs. Maisel tracks its title hero’s journey from bright-eyed newlywed to disillusioned standup comedian making her way through the coffee houses and nightclubs of New York City circa 1958, propriety be damned

Women’s Suffrage Comes to ’70s Switzerland in the Incisive <i>The Divine Order</i>

Women’s Suffrage Comes to ’70s Switzerland in the Incisive The Divine Order

By April WolfeNovember 29, 2017

Here are some quick U.S. stats: White women won the vote in 1920; some Native American women could vote in 1924, while the rest could not until 1947; Asian-American women first voted in 1952; and black women had to wait until the 1960s to freely exercise this fundamental right. But…

Netflix’s Engrossing Historic Ensemble Drama <i>Mudbound</i> Digs Deep Into Race Down South

Netflix’s Engrossing Historic Ensemble Drama Mudbound Digs Deep Into Race Down South

By Lara ZarumNovember 28, 2017

The movie turns on a series of revelations about the characters, whose hushed, intimate narration reveals rich inner lives.

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Netflix’s <i>Cuba and the Cameraman</i> Charts 45 Years of Life Under Fidel Castro

Netflix’s Cuba and the Cameraman Charts 45 Years of Life Under Fidel Castro

By Alan ScherstuhlNovember 28, 2017

Alpert checks in again and again with the same three families over 45 years of visits to the island, with sometimes heartbreaking results.

<i>The Man Who Invented Christmas</i> Is Plummy Fun but Could Use the Real Dickens’ Outrage

The Man Who Invented Christmas Is Plummy Fun but Could Use the Real Dickens’ Outrage

By Alan ScherstuhlNovember 23, 2017

Tis’ the season for Christmas movies, and this one is worth seeing.

No, <i>You’re</i> the One Bawling at Pixar’s Death-Carnival Wonder <i>Coco</i>

No, You’re the One Bawling at Pixar’s Death-Carnival Wonder Coco

By Alan ScherstuhlNovember 21, 2017

Here’s a kiddo’s quest to define a self, in this case the descent of young Miguel (voiced by Anthony Gonzalez) into a land of the dead inspired by Dia de los Muertos celebrations

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Indie Sex Drama <i>Porto</i> Listlessly Trips Through a One-Night Stand

Indie Sex Drama Porto Listlessly Trips Through a One-Night Stand

By April WolfeNovember 21, 2017

At a slim 77 minutes, Porto should seem as fleeting as the memories it’s trying to capture, but it dragged through so many dull scenes that I continually caught myself checking the time

The Best Marvel Comic of the Early ’00s Is Now an Agonizingly Slow Hulu Series

The Best Marvel Comic of the Early ’00s Is Now an Agonizingly Slow Hulu Series

By Alan ScherstuhlNovember 20, 2017

This is the first time a Marvel TV show has stunned me: Why in the era of binge-able continued-narrative TV series would the producers kill dead their momentum

You Should Probably Bring Some Tissues to <i>Wonder</i>

You Should Probably Bring Some Tissues to Wonder

By Bilge EbiriNovember 20, 2017

It starts off as the portrait of a troubled child, but expands to become a film about community

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<i>Roman J. Israel, Esq.</i> Worries About the Right Things but Never Makes Them Thrilling

Roman J. Israel, Esq. Worries About the Right Things but Never Makes Them Thrilling

By Alan ScherstuhlNovember 20, 2017

The drama is mostly interior, and Washington’s quiet performance tends to reveal the jittery surface rather than the tortured soul

Get Lost in the Darkness of the Pulp-Noir Western <i>Sweet Virginia</i>

Get Lost in the Darkness of the Pulp-Noir Western Sweet Virginia

By April WolfeNovember 16, 2017

The story follows a handful of townsfolk who are rocked by the triple homicide of three men, paid for by neglected wife Lila (Imogen Poots), whose husband is one of the victims

Spoiler: <i>Justice League</i> Is Fleet and Fun, Even With the Emo Gloom

Spoiler: Justice League Is Fleet and Fun, Even With the Emo Gloom

By Bilge EbiriNovember 15, 2017

Action scenes start and stop and then start again, then go in different directions, and it was a few moments into The Big Climactic Face-Off before I realized we’d arrived at The Big Climactic Face-Off

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Frances McDormand Rules, but <i>Three Billboards</i> Proves Too Forgiving

Frances McDormand Rules, but Three Billboards Proves Too Forgiving

By April WolfeNovember 14, 2017

Director Martin McDonagh obligates himself to find the humanity in even the deeply flawed.

Maggie Betts’ <i>Novitiate</i> Has Greatness — and a God-Shaped Hole

Maggie Betts’ Novitiate Has Greatness — and a God-Shaped Hole

By Bilge EbiriNovember 10, 2017

There’s a lot of great filmmaking in Novitiate, but there’s also quite a bit still missing.

Mara Wilson on <i>Matilda</i>‘s Influence, Satire, and Her Love of Carrie Fisher

Mara Wilson on Matilda‘s Influence, Satire, and Her Love of Carrie Fisher

By Benjamin LeathermanNovember 10, 2017

She’ll appear at Phoenix Fan Fest 2017.

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Louis C.K.’s Movie Leaned Ickily Into the Rumors That Have Finally Gone Public

Louis C.K.’s Movie Leaned Ickily Into the Rumors That Have Finally Gone Public

By Lara ZarumNovember 10, 2017

Now it remains to be seen if the movie will even be released.

If You’re on Its Track, <i>Murder on the Orient Express</i> Is a Cozy Delight

If You’re on Its Track, Murder on the Orient Express Is a Cozy Delight

By April WolfeNovember 9, 2017

Despite the bright cinematography, there’s something quaint and comforting about this film and its brand of old-fashioned storytelling.

<i>My Friend Dahmer</i> Explores the High-School Days of a Real Serial Killer

My Friend Dahmer Explores the High-School Days of a Real Serial Killer

By April WolfeNovember 9, 2017

The film ultimately is about watching a morose child lose his grip on reality.

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Hey, Hollywood, How About <i>Not</i> Casting Mel Gibson in Cheery Family Comedies?

Hey, Hollywood, How About Not Casting Mel Gibson in Cheery Family Comedies?

By April WolfeNovember 9, 2017

It might be time for Hollywood to stop giving Gibson a pass.

Greta Gerwig’s <i>Lady Bird</i> is a Divine Comedy About Growing Up Weird in the Class of ’03

Greta Gerwig’s Lady Bird is a Divine Comedy About Growing Up Weird in the Class of ’03

By Lara ZarumNovember 8, 2017

Director Greta Gerwig treats her young subjects as complex human beings, not cliched broody teens.

Richard Linklater’s <i>Last Flag Flying</i> Never Snaps to Attention

Richard Linklater’s Last Flag Flying Never Snaps to Attention

By Bilge EbiriNovember 8, 2017

The picture’s final moments suggest that it’s meant as a tribute to simple people, but Last Flag Flying merely hints at the idea.

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Netflix’s Magnificent <i>Alias Grace</i>: Not Just of the Moment, but Urgently of All Time

Netflix’s Magnificent Alias Grace: Not Just of the Moment, but Urgently of All Time

By Alan ScherstuhlNovember 7, 2017

For all its quiet fury, Alias Grace is above all else a superior dramatic mystery.

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