Aziz Ansari’s Master of None Achieves Mastery at Last

There was never any doubt about the thoughtfulness with which Aziz Ansari, in the first season of his Netflix series, Master of None, addressed the kinds of societal divides — racial, cultural, generational, sexual — that most sitcoms either lack the vision to perceive at all or take on only…

Chuck Wepner, the Inspiration for Rocky, Gets His Movie Moment

Heavyweight almost-champ Chuck Wepner was a character long before he inspired Sylvester Stallone to pen Rocky. But Wepner is no Rocky Balboa. Sure, he comes from a working-class town (Bayonne, New Jersey), and when he boxed, he took a good punch, bled like a hemophiliac and dreamed of taking home…

Azazel Jacobs’s The Lovers Plumbs the Mysteries of Matrimony

A comedy, and also a tragedy, of remarriage — without couples counseling or divorce — writer-director Azazel Jacobs’ The Lovers revitalizes its genre with a piquant premise: What happens when long-wedded spouses, each with a romantic partner outside their dormant dyad, find the spark reignited — a combustion that results…

The Dinner Is an Invitation to Decline

Steve Coogan is at a fancy dinner, but he’s not doing any Michael Caine impressions. Instead, he’s brooding with resentment of his workaholic congressman brother, Stan (Richard Gere), and grappling with the realization that his son might be a psychopath. It’s all supposed to be harrowing, and the British comedian…

Restoration Job: Lowriders Fixes up Old Family-Drama Plot Points

A sleepy earnestness both ennobles and afflicts Ricardo de Montreuil’s fathers-and-sons story, Lowriders. At first the film plays as a low-key corrective, a Hollywood drama with name producers (Brian Grazer, Jason Blum) that, outside a couple of tutorial info-dumps covering cultural basics, presents East Los Angeles lives like pretty much…

War Thriller The Wall Dares America to Hate it

America is going to hate this movie. Doug Liman’s The Wall — whose title will forever demand that, when bringing up the film in conversation, you’ll have to say, “No, the other Wall” — is a mean little thriller set in our desert wars, and its only American soldiers are…

Casting JonBenet Can’t Solve a Murder, so it Asks Actors to Explore it

Twice I’ve described Kitty Green’s curious, alienating docu-whatzit Casting JonBenet to friends, and twice I’ve been asked, with surprising heat, “Why?” and “What’s the point?” So, this time, before we get into the specifics of what this documentary actually documents, let’s take a moment to consider what the film isn’t…

The Circle: The Dystopia Begins with a Visit from HR

It’s easy to giggle at The Circle, the movie, just as it’s easy giggle sometimes at Dave Eggers, whose novel is the film’s source. James Ponsoldt’s adaptation (co-written with Eggers) is, like Eggers’ books, nakedly earnest, engaged with nothing less but The State of Things Now, more smart than its…

The Other Half of You: Remembering Jonathan Demme

Not long before the surprisingly violent finale of Jonathan Demme’s Something Wild (1986), Melanie Griffith’s wild girl-turned-good-girl-turned-complicated-girl Audrey asks Charlie (Jeff Daniels), a straight-arrow-Wall-Streeter-turned-desperate-romantic-turned-man-of-action, “What are you gonna do now that you know how the other half lives?” “The other half?” he asks, confused. “The other half of you.” The…