The Low-Key Pete’s Dragon Dares to Mostly Let Its Beast Chill

Pete’s Dragon is as cuddly as the mountains of plush toys Disney hopes to sell from it. A disarmingly homespun blockbuster, this loose remake of the studio’s 1977 live-action/animation hybrid is perhaps best defined by all the things it’s not: It’s not a soaring action flick, nor an indulgence in…

Difficult People: A Porn of One’s Own

We’re recapping Difficult People, episode by episode. Ooh, what about a gay Gremlins? Can a difficult person be a difficult person without also being a stagnant person? We ask because the beauty of Billy and Julie of Difficult People is that they have, find, and create opportunities for themselves only to…

The Working Auteur: Patricia Rozema on Making Her Great Into the Forest

Patricia Rozema is what you might call a “working director.” Her first credit was Second Assistant Director on three episodes of the acclaimed children’s series, Sharon, Lois & Bram’s Elephant Show in 1984, and since then she’s written, directed and produced art-house shorts, film-industry docs, a music-and-dance film (Yo-Yo Ma…

Allison Janney Talks Tallulah, Mom, and Motherhood

Allison Janney is deflecting questions about herself to proclaim the talent and intelligence of her Tallulah co-star Ellen Page, whom she already step-mothered onscreen in 2007’s Juno, when she suddenly interrupts herself. “Oh my god,” she says. “I’ve been talking since six this morning. I’m bleary-eyed from all the conversations…

On the Screen, Roth’s Indignation Only Fitfully Comes to Spiteful Life

Writer Keith Gessen once said that Philip Roth wasn’t a misogynist and didn’t hate women because he spent all his time “thinking about fucking them.” But he did concede that Roth probably thought “women were a foreign country.” In James Schamus’ debut feature Indignation, an adaptation of a late Roth…

Ellen Page Kidnaps an Infant in Tallulah, but She Means Well

Ellen Page’s complicated onscreen relationship with children continues in Tallulah, which reverses the Juno dynamic — this time her title character wants a kid who isn’t hers. Orange Is the New Black scribe Sian Heder makes her directorial debut with the sympathetic indie, a maternal character study that loses its…

In Gleason, an NFL Hero Faces ALS and the Loss of His Body

With unflagging honesty and compassion, Clay Tweel’s documentary Gleason charts the journey of former New Orleans Saints safety Steve Gleason as he copes with the ruinous nerve disease ALS, or Lou Gehrig’s disease. That description, however, can’t quite do justice to Tweel’s film, which is partly built around video journals…

Sharon Jones Won’t Let Cancer Stop the Funk

Barbara Kopple’s Miss Sharon Jones! tells the kind of true story that makes you want to kick creation itself square in the crotch. Here’s that firecracker soul singer, nearing her 60s, her boogie still majestic, her band still a tight retro marvel, her wail still the southern end of a northbound…

Difficult People Recap: Coming Out Day

We’re recapping Difficult People, episode by episode. Dear mom who art in heaven, thank you for this free student haircut I’m about to receive. “I’m just an in-between,” Judy Garland once sang, lamenting being stranded between childhood and adulthood, something that permanently dogged her and her career. In Difficult People’s “Italian…

Lights Out Is Creepiest When It Stops Explaining Itself

Does it matter that Freddy Krueger was a pedophilic middle-school janitor who died in a blazing fire when parents sought revenge? No. And unless you’re a horror-film obsessive, you probably don’t even know how he morphed into a pizza-faced Where’s Waldo with knife fingers — what matters is he lives…