An underappreciated art, vocal performance can make or break an animated film, as well as live-action movies that “star” talking animals. It’s Eddie Murphy’s exuberant line readings — not what he says but how he says it — that confer personality upon the garrulous Donkey in Shrek. And the sheep-herding…
Over a three-month period in 1994, machete-wielding Hutu tribesmen in Rwanda hacked to death 800,000 Tutsi men, women and children. News reports, including film footage of the unfolding carnage, were broadcast around the globe. In the face of such unremitting acts of inhumanity, the world community did nothing. It wasn’t…
At first glance, White Noise looks like one more supernatural thriller aimed at the audience that’s easily scared and easily parted from its hard-earned cash. It will be lumped in among the Rings, Grudges, Otherses, and other gotcha creep shows inhabited by rancorous ghosts and pissed-off ghouls out to off…
Clint Eastwood began digging into the third act of his career — the one that reveals the mature, deep-thinking artist . . . with a little jazz piano on the side — a dozen years ago, with the discomfiting anti-Western Unforgiven. Since then, he’s hardly come up for air or…
The early reviews for Beyond the Sea, the Bobby Darin biopic on which Kevin Spacey did everything save for feeding the crew and sweeping the set, have been so hateful that a latecomer to the bashing bash is tempted to head straight for the spiked eggnog and let the man…
The parade of real-life figures strolling into the googolplex has been endless this year: Look, there’s Jamie Foxx as musical Mount Rushmore Ray Charles, Johnny Depp as Peter Pan author J.M. Barrie, Kevin Spacey as forgotten teeny-popper Bobby Darin, Liam Neeson as sexologist Alfred Kinsey, Kevin Kline as standards composer…
By all accounts, the only living creatures who’ve never taken in a stage production of Andrew Lloyd Webber’s The Phantom of the Opera are Osama bin Laden and Uncle Elmer’s deaf hound dog Bart — which means that everyone else on the planet has an opinion about how Joel Schumacher’s…
When your movie gets riotous laughter out of endless utterances of the word “Focker,” it doesn’t have to try very hard. So it’s no surprise that much of Meet the Fockers, the inevitable sequel to the 2000 hit Meet the Parents, barely breaks a sweat. When in doubt, after all,…
The critic who takes notes during The Life Aquatic With Steve Zissou will ultimately fill a notepad only with scribbled details: “All the crewmen wear red stocking caps with their tuxedos,” “some names of Zissou’s movies: The Battling Eels of Antibes, Shadow Creatures of the Lurisia Archipelago, Island Cats!,” “one…
This much can be said for the movie version of Lemony Snicket’s A Series of Unfortunate Events: Its villain, Count Olaf, just might be Jim Carrey’s finest screen role. A bitter, would-be master thespian who delights in donning ridiculous disguises and adopting funny accents, he doesn’t seem that far removed…
In Spanglish, which is less a story than a snapshot of a crumbling marriage populated by sitcom characters, Adam Sandler plays John Clasky, an average man with an above-average life. With his burgeoning double chin always covered in a slight shadow of stubble, he’s a celebrated chef who runs his…
A Very Long Engagement, the new film by French director Jean-Pierre Jeunet (most famously of Amélie), will have its fans. For one thing, there’s no denying its beauty, an onslaught of gorgeous tableaux, painstakingly arranged and shot through filters to exclude colors that don’t suit (i.e., anything other than sepia…
Rated PG-13.
They walk among us. They resemble people, approximate our words and actions, present themselves more or less as human. And yet they are more — a different species, with their own dark legends, their own clandestine meeting places. They are dorks, and they are going to be pretty okay with…
The Czech drama Zelary brings to mind Bertolt Brecht’s pointed observation that “war is like love; it always finds a way.” In this instance, war creates the atmosphere in which an unlikely love flourishes, then overwhelms that love. Only a fool would try to improve on Brecht, but after absorbing…
Mike Nichols’ new film Closer is a boiling pot of lust, mistrust and double-dealing that might well be taken for outright soap opera — or, in quite a few places, soft-core porn — were it not for the sophisticated gleam of its well-heeled London desperadoes and the vicious dazzle of…
It’s the biopic of the year: Christian Bale is cadaverous industrial rocker Trent Reznor, prone to temper tantrums, brooding, inhabiting colorless environments, and keeping your parents awake all night as he fronts the heavy band known as Nine Inch Nails. Oh, wait . . . that’s not quite right. Christian…
The most shocking thing about Kinsey, the first film from writer-director Bill Condon since 1998’s Gods and Monsters, is how shocking it actually is. Within the confines of a standard biopic (A Beautiful Dirty Mind, you might call it), Condon refuses to play it straight — which is only appropriate,…
If you’ve ever gone line-dancing with a gaggle of amputees on crank and hallucinogens, you know something of the feeling engendered by viewing Alexander. This broad, bold and ambitious film by Oliver Stone presents itself as a fairly straightforward endeavor, but its rhythms quickly go strange while its participants hobble…
As the year stumbles toward its conclusion and critics begin penning their best-and-worst compendiums, here’s a holiday contender fit for the all-time Naughty List. Based on the John Grisham novel Skipping Christmas — which, face it, is less a novel than an impulse item stacked on bookstore checkout counters –…
Oh, that Johnny Depp. Played in some dime-a-dozen rock bands, did some average television, made a few cutesy little movies. Whatever. Yeah, he messes with his looks in a fun way sometimes, but otherwise he merely rides that nicotine-sunken-cheeks thing all the way to the bank. The guy’s popular, but…
Jerry Bruckheimer has always insisted he cares less about critical acclaim than about commercial appeal. “We make movies for the common man,” he said almost three years ago, as Black Hawk Down was crash-landing in theaters. “The pictures that I’ve made over the last 20 years or so have been…
