This may sound an eensy bit hyperbolic, but dig: Mayor of the Sunset Strip is the greatest rock ‘n’ roll movie of all time. Of course, as with any advanced class, it’s good to bone up on the prerequisites. If you haven’t explored rock in film (and rockin’ film) from…
On its surface, José Padilha’s absorbing documentary Bus 174 shows us how a homeless 21-year-old named Sandro Rosa do Nascimento hijacked a city bus in Rio de Janeiro on July 12, 2000, how he took 11 passengers hostage at gunpoint and became the raving centerpiece of a five-hour urban drama…
I am going to give 13 Going on 30 too much credit, though it’s hardly worth the effort; Lord knows the filmmakers didn’t put much into it. It’s a shame, as far as these things go, because what could have been an engaging, maybe even enlightening story about the unfairly…
If you were a college-aged East Berliner in October of 1989, chances are that your time was occupied by one of several things. Protesting comes to mind, as does hacking at long-reviled concrete. Perhaps you caroused, or lit fireworks, or sang with joy as you coursed through the newly open…
The six-month intermission is over; those of you left in the lobby, wondering if Uma Thurman ever did kill Bill, may now return to your seats and unbuckle your belts and resume your gorging. Rest assured that Kill Bill Vol. 2, the final half of Quentin Tarantino’s fifth movie, offers…
Here’s a subject with which no one should ever have to grapple: Is this new version of The Punisher, starring Thomas Jane as the comic-book assassin, better than the 1989 adaptation with Dolph Lundgren? They both offer slight variations on a tale first told in a 1974 Spider-Man comic, where…
In the beginning, there was The Evil Dead, and Stephen King looked down upon it and saw that it was good. Then God said, “Let there be Evil Dead 2: Dead by Dawn, that the message of writer-director Sam Raimi be spread across the land!” So it was written, so…
It’s a measure of continual cultural desensitization that The Girl Next Door plays like a remake of 1983’s Risky Business, yet very little of it feels risky in the slightest. Twenty years on, the notion of a high school student getting involved in the sex-for-pay business seems almost cute, rather…
Before Star Wars and Indiana Jones, audiences thrilled to an epic big-screen trilogy of a different sort: the tale of one righteous lawman and his big piece of wood. Based on the real-life exploits of Tennessee sheriff Buford Pusser, the first Walking Tall movie (1973) made lead actor Joe Don…
As a proud sponsor of the Colin Farrell media blitz, Intermission opens on the lad’s salable mug, basically sporting the same buzz-cut ‘n’ tats look from his punky cameo in Veronica Guerin. It’s a cunning editorial move, pushing the product from the get-go, yet it gets interesting as Farrell’s dumb…
The Ladykillers is the second film in as many years made by Joel and Ethan Coen to fill space between pet projects that seem to run off leash; it’s their time-killer, if you will. But even their recent paychecks reflect the brothers’ restlessness: Their movies have grown more manic and…
Jersey Girl, the sixth film by writer-director Kevin Smith, is the least Kevin Smith-y film he’s ever made, which will be welcome news to those exhausted by Smith’s everlasting obsession with his dick, fart jokes and stack of comic books; and bad news to those enamored of Smith’s everlasting obsession…
Oh dear. Angelina Jolie’s made another bad film. Is it too soon to give up on her yet? There’s no denying that Angelina’s sexy as hell. The tattoos, the knife collection, the exhibitionist streak, the bisexual vibe she gives off . . . totally hot, no question. Given her work…
Eternal Sunshine of the Spotless Mind, in which a man has recollections of a soured relationship erased from his brain, may be the most romantic movie in recent memory, if you will pardon the unforgivable pun. Written by Charlie Kaufman and directed by Michel Gondry, it’s about many things –…
The problem with Spartan isn’t so much that it’s mediocre, but that it could be a whole lot better. Unlike writer-director David Mamet’s last movie, Heist, a film with such a generic plot and predictable Gene Hackman performance that it never had a chance, Spartan has a reasonably compelling story…
If you were expecting the first film to emerge from Afghanistan since the defeat of the Taliban to be even remotely celebratory, you’ll have to adjust your expectations. Radically. In Osama, filmed in 2002 and 2003 in a “suburb” of Kabul, writer-director Siddiq Barmak is not interested in showing us…
At first glance, Hidalgo seems to be nothing more than an old-fashioned, flat-footed adventure epic plunked down on a vast stretch of desert and amply furnished with the usual Hollywood conventions — a strong, silent cowboy on horseback, a couple of villains with nasty black mustaches, a killer sandstorm and…
Maybe the most amazing thing about the big-screen version of Starsky & Hutch is how much smaller it feels than its predecessor, the William Blinn-created, Aaron Spelling-produced cop series that ran on ABC from 1975 to ’79. Everything about this cineplex variation feels rinky-dink, like some extended variety-show skit that…
This Jew has spent several hours in the past week reading all four Gospels, as well as various supplementary (and often inflammatory) texts, upon which Mel Gibson based his The Passion of the Christ. I’ve read the interpretations of scholars, the apologias of popes and the damnations of zealots. I’ve…
This is not a good movie. Dirty Dancing: Havana Nights is, in fact, a bad movie. The script bleeds one cliché after another, the female lead can’t fire up the heat necessary for her role, and the plot resolves nearly every conflict it introduces within minutes. Worse, even as the…
Seldom over the course of a relatively storied career has Gene Hackman garnered sustained laughter in films billed as comedies. He’s wondrous at playing virtuous or wicked, paternal or pissed-off, but never quite comfortable in the role of comedian; he may be an actor of uncommon range, able to communicate…
It’s clear by now that Meg Ryan, the bubbling sweetheart of half a dozen romantic comedies, means to bring new substance and seriousness to the latest phase of her career. Witness the lonely New York English teacher she played in last year’s brainy slasher flick In the Cut: In no…
