At a 20-year remove, George Lucas’ Star Wars comes off less as the work of a wizard than as the weird obsessional by-product of an eccentric American primitive. If you’re not a Star Wars fanatic, and you re-see this movie now varnished to a sheen in its self-consciously spiffy new…
You can bet that at one point or another, some executive wanted the title of this long-awaited nonsequel to A Fish Called Wanda to be A Lemur Called Rollo (for the story does include such a character). While the latter wouldn’t have been the most commercial of titles, neither is…
As with The Crow a few years back, a grim, real-life shadow hangs over Gridlock’d that’s hard to ignore while watching it. Both films are swan songs for stars who died too young and left beautiful corpses: Brandon Lee in the former, and Tupac Shakur in the latter (although Shakur…
The first movie Hamlet was played by a woman–Sarah Bernhardt, in a 1900 short of the duel scene. Plainly, Hamlet has been as open to interpretation in the cinema as it has been in the theater. Of the dozens of film versions, ranging from cross-dressing intrigues to psychological case studies…
In Mother, Albert Brooks plays John Henderson, a science-fiction novelist recently divorced from his second wife who decides he can’t risk another relationship until he comes to terms with his mother. So he does the logical thing: He moves in with her. He hauls out of her garage all his…
Playwright Herb Gardner managed to immortalize retirement-age concerns on the American stage with his 1986 Tony Award-winning I’m Not Rappaport, and now his film version–which he also directed–comes along to try to reclaim geriatric humor from the Grumpy Old Men gang. Of course, one of those grumpy old men, Walter…
Hamlet (Kenneth Branagh) is Prince of Denmark. After his father (Brian Blessed) dies, his uncle Claudius (Derek Jacobi) takes the throne and marries Hamlet’s mother, Gertrude (Julie Christie). When the late king’s ghost reveals he was murdered by Claudius, Hamlet must decide which course of action to take. Meanwhile, he…
It could have been any town in America, and it often was: Athens, Georgia; Chapel Hill, North Carolina; Minneapolis; Austin, Texas. Seattle was just another stop on the A&R Express, another destination where the gold-card crowd could run up their expense accounts while they looked for the Next Big Thing…
World governments may topple, stock markets may soar and crash, deadly viruses may mantle the globe, but one constant remains: Woody Allen still hankers for a Cole Porterized New York. You have to be a deep-dish romantic, or else a blinkered snoot–or maybe both–to persist in such a demonstration. We…
For people who grow up loving movies, returning to old favorites can be as jarring and illuminating as blowing the dust off a family photo album. Even if our judgments about the films are identical the second time around, our emotional reactions, if we’ve grown at all, change or deepen…
When an incredulous Jane Campion fan asked what I hated about her version of Henry James’ The Portrait of a Lady, I immediately responded, “Everything.” Actually, I thought Barbara Hershey, as the subtle villainess, Madame Merle, made a good first impression: I laughed appreciatively when the heroine, Isabel Archer (Nicole…
The People vs. Larry Flynt is a Hollywood rags-to-riches success story with a twist. The inheritor of the American dream is a pornographer who admits to losing his virginity at 11 to a chicken and is known for saying things such as, “A woman’s vagina has as much personality as…
Robert E. Howard created the sword-and-sorcery genre with his Conan stories. The subject of Dan Ireland’s wonderful debut film The Whole Wide World, Howard had a grand yet coarse-grained consciousness. The Conan stories, set in a fictitious, primordial age full of demons and killers, boasted swift, cartoon-flavored action (“He moved…
Terry George, the director and co-writer (with Jim Sheridan) of Some Mother’s Son, has more complicated feelings about Northern Ireland than he can express coherently. They explode in penetrating shards of action and rhetoric from both the gutter and the pulpit. The story of an imprisoned IRA group known as…
A famous movie composer once told me a joke: Two songwriters are sitting around, and one of them says to the other, “I just saw the most amazing thing. A man fell off the roof of a building, hit a ledge, fell to the street, got winged by a bus…
My first impulse in considering the top movies of 1996 was to dispense with the new stuff altogether and go for the revival gold. The best films of 1996 were the rereleased restorations: Vertigo and Taxi Driver. The movie business has finally figured out how to turn out new classics–just…
Wes Craven, creator of the Nightmare on Elm Street series and writer/director of its two best entries (the first and the last), works whispering distance from the commercial Hollywood mainstream, just far enough to allow for more rude wit and less comfortable resolution than most studio product. His films open…
When we first see the character of Australian pianist David Helfgott (Geoffrey Rush) in Shine, he’s middle-aged and standing in the driving rain, tapping at the window of a wine bar after closing time. Let in by a sympathetic waitress, he keeps up a nonstop nonsensical patter that makes him…
Beavis and Butt-head, the slow-witted, lewd-minded, giggling, teenaged sofa reptiles from MTV, may be the most acquired taste in current pop culture–for adults, at least. At a quick glance, your reaction may be revulsion at the crude animation and the repetitive gags. But let the show’s subtle rhythms work on…
Lots of hearts are in the right place in Rob Reiner’s Ghosts of Mississippi, but none is beating. Scripted by Lewis Colick (who wrote Unlawful Entry) and based on the true story of how the killer of civil rights activist Medgar Evers was finally brought to justice after three trials,…
The stodgy works of Ismail Merchant and James Ivory, makers of Howards End and Jefferson in Paris, have encouraged the sad notion that costume dramas must be leaden and respectable. Ang Lee’s Sense and Sensibility helped rehabilitate the form, and now Patrice Leconte’s Ridicule ventilates it with yet more fresh…
Why a movie of The Crucible now? Arthur Miller’s play about the Salem witchcraft trials was first staged on Broadway in 1953, when McCarthyism was still in flower, and it was not a resounding success. Now, of course, it’s a staple of rep theaters and high school and college stages,…
