Audio By Carbonatix
Artist: Authority ZeroTitle: Stories of SurvivalRelease date: June 22Label: Suburban Noize
I have a friend who’s a native Phoenician and longtime fixture in the Valley punk scene, both as fan and musician. He loves West Coast punk, thinks Southern California spawned the best of the best punk, especially in the scene’s early days. I’m from Michigan, lived in Chicago and all over Indiana, family’s from Minneapolis. To me, a lot of the best early punk came from Cleveland, Minneapolis, Indianapolis, and Detroit.
Pagans over Circle Jerks. Zero Boys over Adolescents. Naked Raygun over TSOL. He’d probably disagree with me on all those choices, because he loves all those early Orange County punk bands. He seemed really taken aback when I said I didn’t care much for Bad Religion, the band that perhaps most typifies the second wave of Orange County punk. I wonder what my buddy thinks of Authority Zero, a Mesa band that sounds a lot like Bad Religion.
These guys have been around the better part of two decades now, not unfairly earning stature as local legends by conquering the Valley punk scene and making a splash nationally, selling records in the tens of thousands (impressive in this day and age) and playing large clubs around the United States and doing bigger shows with pop-punk stars like Pennywise and package deals like Vans Warped Tour. I just wished their new record was more exciting. I’m guessing this is the kind of band you have to see in concert to get the full effect. Songs like “Brick in the Wave” are supposed to be rousing, with its anthemic, sea-chanty chorus, but I was left unmoved. Part of it is my aforementioned bias against this particular brand of SoCal-bred, Offspring-style skateboard punk — where any natural edge and danger in the music has been sandblasted away for a cleaner, tighter sound. In other words, it’s a lot more Huntington Beach than it is Detroit — and you like what you know.The record starts with a bang: “The New Pollution,” a song presumably that is an indictment of the record industry, has not only the best guitar riff but also the best vocal hook on the entire record, with Jason DeVore announcing, “Here we are! Here we are! / We’re the new pollution.” It’s a great fist-pumper, and I had high hopes after that song, but the record caught my attention only a few times after that. “Brick in the Wave” is one more ambitious and best-realized tracks and “Get It Right” makes good use of guitarist Zach Vogel’s considerable talents and “No Way Home” is fiery album-closer.
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