Critic's Notebook

The Clientele

Remarkably lovely U.K. trio The Clientele, whose sound primarily falls somewhere between the bright psych-pop of late-'60s Britain and the lush jangle-chime of L.A.'s '80s Paisley Underground scene, pulls off the rare, swell trick of reminding you of literally dozens of artists — the late Arthur Lee, Dream Syndicate, Mercury...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Remarkably lovely U.K. trio The Clientele, whose sound primarily falls somewhere between the bright psych-pop of late-’60s Britain and the lush jangle-chime of L.A.’s ’80s Paisley Underground scene, pulls off the rare, swell trick of reminding you of literally dozens of artists — the late Arthur Lee, Dream Syndicate, Mercury Rev, Felt, Lightning Seeds, Galaxie 500, Nick Drake, The Byrds, Belle & Sebastian, Colin Blunstone, and The Smiths among them — while offering songs that are far greater than merely the sum of those influences. Credit goes to front man Alasdair MacLean for using his wistful, breathy voice to deliver literate and evocative lyrics that speak of love, loss, and nights spent wandering the streets of London, without resorting to cliché. And The Clientele isn’t interested in a time-capsule vibe on its recent Strange Geometry — ample use of reverb and strings projects a classic warmth, yet the band’s sumptuous arrangements and the album’s production quality are thoroughly modern. If the band is even half as good live as it is on disc, you’re in for a major treat.

When news happens, Phoenix New Times is there —
Your support strengthens our coverage.

We’re aiming to raise $30,000 by December 31, so we can continue covering what matters most to you. If New Times matters to you, please take action and contribute today, so when news happens, our reporters can be there.

$30,000

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...