Brick (Universal) Rian Johnson’s feature debut as writer-director will wind up as one of the year’s best films. A film noir set in a modern-day high school, it’s Sam Spade roaming Ridgemont High; kids get doped up and knocked up and even rubbed out while speaking pulp-novel slang, but the…
World Trade Center is about just that — the attacks on, and the collapse of, the twin towers on September 11, 2001. But 45 minutes in, a viewer might easily forget the movie is set during that nightmarish day. There is little talk of terrorism and scant suggestion that a…
V for Vendetta (Warner Bros.) Illustrator David Lloyd calls this adaptation of the comic he made with writer Alan Moore “very good” — so why did Moore beg to have his name removed? The intentions are noble, sure; name another big-studio blockbuster in which a government manufactures fear to keep…
There is no modern-day antecedent to the movies Will Ferrell makes with writer-director Adam McKay, with whom Ferrell collaborated during their tenure at Saturday Night Live only a few years ago. To compare their offerings, Anchorman: The Legend of Ron Burgundy and the new Talladega Nights: The Ballad of Ricky…
Feed (TLA) Remember the old jokes about “What’s grosser than gross”? The makers of Feed do, as they prove in the first 10 minutes — one-upping their opening scene featuring a voluntary victim of cannibalism by bringing in a guy who gets nekkid and shoves cheeseburgers down the throat of…
Originally, Ward Serrill set out to make a documentary — and a short one at that — about Bill Resler, an avuncular tax professor at the University of Washington who thought he knew enough about basketball to coach the girls’ team at Roosevelt High School in Seattle. Never mind that…
The Ant Bully is based upon a very short children’s book by John Nickle, who wrote and illustrated the 1999 work all by his lonesome after years of providing illustrations for The Wall Street Journal and Sports Illustrated, not to mention other works of kiddy lit. The book, as most…
Edison Force (Sony) Gritty cop stuff must write itself — just make sure everyone’s tough, corrupt, and talking like they stole Mickey Spillane’s thesaurus. Then cast Justin Timberlake. Screech! Employing the talented (at music) popster as a crusading journalist isn’t this lame flick’s worst flaw — merely the one you’ll…
Two weeks ago, a colleague insisted that Superman Returns isn’t a remake of the 1978 original, as I wrote, but a reinterpretation — its melancholy flip side. Where the Christopher Reeve model was pop art and a cool breeze, the Brandon Routh version is heavy and solemn, weighed down by…
Grand Prix (Warner Bros.) John Frankenheimer, as underrated as he was brilliant, made a racing picture in 1966 that’s yet to be topped 40 years later. James Garner suffered through the director’s churlish demands (which Frankenheimer reveals and owns up to, in archival footage on one of the documentaries here)…
The Matador (Weinstein) Richard Shepard’s spec script, sent to Pierce Brosnan’s production company out of desperation, wound up as 2005’s best buddy pic — damned if I can recall a funnier movie from last year, except the one with the middle-aged virgin. Brosnan, not afraid to don cheerleading skirts and…
The fact that 2003’s Pirates of the Caribbean: The Curse of the Black Pearl was such a hit had much to do with viewers’ pre-launch expectations, which were approximately none. Who could have been blamed for thinking a Gore Verbinski-directed, Jerry Bruckheimer-produced movie based on a theme-park ride would proffer…
The Devil’s Sword (Mondo Macabro) Few trash movies live up to their reputation, but here’s a balls-out wonder that surpasses it. Grab a 12-pack of Bintang and cue up this jaw-unhinging slab of Indonesian sword-and-sorcery circa 1983 — a start-to-finish feast of martial arts, mullets, flying heads, vestal virgins, dry-ice…
After all that, just . . . this? After all the anticipation, all the hype, all the product available on toy-store shelves and kiddy sections at bookstores, after all the promise that this would be the most super of Superman movies, all we get is just this . . …
Night Watch (Fox Searchlight) Every once in a while, Hollywood needs somebody else to steal a genre and totally reimagine it; it keeps old ideas young, like celluloid Botox. Well, Hollywood’s gonna need one big needle to absorb Night Watch, an insane, insanely cool Russian action/horror/sci-fi brew that’s like nothing…
Valley of the Dolls Beyond the Valley of the Dolls (Fox) Behold The Godfather and Godfather Part II of drag-queen cinema — two movies that provide the gateway to a lifetime of wig addiction. The films couldn’t be more different in temperament — the 1967 original is mile-high Hollywood kitsch,…
There is no movie more overrated in recent history than Napoleon Dynamite; it’s to cinema what The Doors are to rock and roll, a thing blindly and inexplicably championed as though it were a religion above being blasphemed by nonbelievers. And every time someone tries to explain its appeal –…
The John Wayne/John Ford Film Collection (Warner Bros.) Featuring the most epic pairing of director and actor in Hollywood history, this 10-disc box spews machismo all over. Wayne and Ford defined not only the western and war-movie genres, but also our culture’s image of rugged manhood. Among the highlights is…
Cars, the latest vehicle to roll off a Pixar assembly line that has thus far yielded nothing but spit-shined classics, answers that age-old question: What would Doc Hollywood have been like had it been populated entirely by, ya know, cars? If the promise of that particular premise — in which…
Summer is the season of high expectations and profound disappointments. That suntan looks more like sunburn, your beer stays ice cold ’til the moment it’s opened, and fat guys are the only ones hanging by the pool in bikini briefs. So it goes with summer movies: Sequels to beloved faves…
Will & Grace: Series Finale (Lions Gate) The way this got hustled to shelves, mere days after Will Truman and Grace Adler said their mushy farewells, you’d think this were some classic adios — another M*A*S*H or Cheers wrap-up. Alas, it was just another Very Special Episode of a show…
Boston Legal: Season One (Fox) David E. Kelley’s latest legal drama is nothing more than a TV show about TV shows; hence the casting of Captain Kirk and Murphy Brown, with guest shots by Diane Chambers, Golden Girl Rose Nylund, and Alex Keaton. It’s like a Nick at Night mash-up,…
