The first few minutes of Tenacious D in The Pick of Destiny are something to behold: a four-minute rock opera cranked to 11. A doughy young boy with dirty-mop locks (Nacho Libre’s Troy Gentile, once more playing lil’ Jack Black) laments his tragic plight: He’s stuck in Kickapoo with “a…
Forbidden Planet (Warner Bros.) Long available as faded discount product, Fred McLeod Wilcox’s 1956 masterpiece — the movie without which Star Trek, Star Wars, 2001, and, oh, Lost in Space wouldn’t exist — at last gets its proper due; this double-disc collection comes with everything but stardust and rocket fuel…
By all rights, 2002’s Die Another Day should have been and could have been the final James Bond film. It was packaged like a cynical, weary best-of concert coughed up by an aging dinosaur, offering copious nods to the franchise’s past without bothering to offer any new material of consequence…
Wherein Tom Waits cleans out the closet, holds a garage sale and finds the crowd begging for more, more, more. Hence the 26 soundtrack-compilation-etc. familiars and 30 “new” songs that sound like all the old ones, spread over three discs that glibly and ably summarize the career thus far: “Brawlers”…
The Junky’s Christmas (Koch) They just aren’t cranking out clay animation Christmas specials like they used to, which makes this a welcome one. Nicer still, it’s got heroin! A mixture of stop motion with a little puppetry and live-action shots of William Burroughs (who may himself have been a Muppet),…
Mission: Impossible III: Special Edition (Paramount) On the commentary track, director J.J. Abrams and star Tom Cruise sound like they’ve fallen in love; you might say they complete each other’s sentences, except that’s just Cruise interrupting the Alias creator, who rescued a franchise by streamlining it, lightening it, brightening it,…
Reservoir Dogs: 15th Anniversary (Lions Gate) Quentin Tarantino’s first film shows its age these days, mostly because we’ve seen all its tricks done far better by now. From the nonlinear storytelling to the pop-culture gabfests to the shameless cribbing from obscure films, everything that once seemed so shockingly fresh has…
There’s a scene about halfway through Catch a Fire during which freedom fighters — men and women, each boasting such nicknames as “Pete My Baby” and “Hot Stuff” — are being trained at an African National Congress safe house in Mozambique. Their ranks consist of South Africans who’ve been politicized…
American Dreamz (Universal) Till this, Paul Weitz had a stellar filmography, a career in ascension: American Pie (good), About a Boy (great), In Good Company (absolutely perfect). But this, er, satire about a dumb American president (Dennis Quaid, channeling whassisname) trying to get smart, a cynical wanna-be singer trying to…
A Prairie Home Companion (New Line) This all-star sing-along — with Meryl Streep, Lily Tomlin, Tommy Lee Jones, Virginia Madsen, Woody Harrelson, etc. — that wears its smile bright and wide looked for all the world like a summertime sleeper hit. Not so much, even though no movie this year…
Barry Levinson hasn’t made a movie of note in almost a decade — since 1997’s Wag the Dog, to be precise, and even that was less a work of substantial relevance than a bit of lucky timing based on someone else’s better novel. Granted, it had its moments — at…
There is no way of sidestepping the issue, so why not jump right into it: Infamous, this year’s retelling of how Truman Capote wound up in Kansas writing his nonfiction novel In Cold Blood, never comes close to approaching the quiet, devastating brilliance of Capote, last year’s retelling of how…
Lewis Black: Red, White & Screwed (HBO) Like many other Daily Show success stories, Lewis Black is a comedian made for these times; his facial contortions and verbal tics are expressions of the Bush-era phrase “outrage overload.” But unlike other big names in political stand-up right now (David Cross, Bill…
One would never confuse the work of writer-director Todd Phillips with that of the late Robert Hamer, whose filmography includes the essential Kind Hearts and Coronets. Hamer’s movies had a gentlemanly quality, no matter the cruelty that skulked beneath their prim exteriors; one always felt the characters in his movies,…
The Proposition (First Look) There’s an old saying about Ginger Rogers, who did everything Fred Astaire did — but backwards and in heels. This Australian western seems to be saying something similar about gritty American westerns: You think that’s hard? Try living in the Outback. The Proposition mucks about in…
I Am a Sex Addict (IFC) Caveh Zahedi has made a movie of our times — a strange mix of self-absorption, shamelessness in the pursuit of fame, and sex. Most shocking of all is that it works. Part fiction and documentary, confessional and comedy, the film traces the history of…
United 93 (Universal) A suggestion to those who’ve put off watching the year’s most wrenching and essential film: Before rolling the feature, first watch the documentary in which the families of those who died on the plane give the filmmakers their blessing, without reservation. If the mother, father, and sister…
Arrested Development: Season Three (Fox) The final collection of Arrested Development discs feels sadly incomplete: only 13 episodes this time, the result of Fox’s inability to attract viewers to one of TV’s greatest comedies and the network’s unwillingness to give it a full farewell. But none of that diminishes the…
By the time Trust the Man opens this weekend, it will have been nearly a year since it debuted at the Toronto International Film Festival, where it was picked up for distribution by Fox Searchlight. Forget that it’s a year old; this thing tastes a good decade past its expiration…
Veronica Mars: The Complete Second Season (Warner Bros.) Any concept along the lines of “high school hottie solves crimes” is bound to make for watchable TV, but who would have expected this? Equal parts 90210 teen soap, murder mystery, and comedy, Veronica Mars pulls you in with its sharp writing,…
Low, which is to say no, expectations can be a wonderful thing; expect nothing, and maybe you’ll get that little outta-nowhere sumpin-sumpin that turns an otherwise unfulfilling occurrence into a vaguely rewarding experience. It’s not like Invincible boasts the most promising of credentials: a first-time filmmaker (Ericson Core, the cinematographer…
Apocalypse Now: The Complete Dossier (Paramount) It’s all here, more or less: the 1979 theatrical cut of Francis Ford Coppola’s harrowing and still-hypnotic Joseph Conrad-in-Vietnam adaptation, the 49-minutes-longer-but-feels-24-minutes-shorter 2001 Redux edition, Marlon Brando’s entire 17-minute “The Hollow Men” monologue, even more “lost” and deleted scenes (including a spooky-shocking one, in…
