Call the Cops

The Man isn’t so much a movie as a parody of one, the kind of thing people in movies about the movie business pitch as outrageous, inept ideas when a director’s going for the cheap and quick giggle. Only in movies like The Player or Bowfinger or Christopher Guest’s The…

Possessed by Nonsense

The Exorcism of Emily Rose, which is based on a true story the same way Harry Potter and Star Wars movies are, is the latest — though certainly not the last — movie of this bloody (awful) year trying to scare the money right out of your wallet. It has…

Black Forest

Terry Gilliam’s last film featured the former Monty Python troupe member as an eccentric, demanding and difficult director prone to destroying his ambitious projects before a single frame of footage was ever shot. “If it’s easy,” he says in the movie, “I don’t do it.” Alas, this was not a…

Working Blue. And Brown

Pity the daily newspaper critic who must review The Aristocrats without using such phrases as “a longshoreman’s arm up a little girl’s ass,” “then my wife goes down on my son while the dog’s licking his balls,” “my grandmother’s covered in my come,” and “is it shit before piss, or…

Aw, Nuts

Ain’t nothing in this world more tedious than highbrow erotica, which works itself into a lather and then wipes off the sweat before anyone notices how awfully and inappropriately worked up it got. Asylum, adapted by Closer’s Patrick Marber and Chrysanthy Balis from the novel by Patrick McGrath, is just…

Cherry on Top

Some art-house programmer would be wise to schedule a double bill of The Aristocrats, Paul Provenza’s talkumentary about the dirtiest joke ever told, and The 40-Year-Old Virgin, writer-director Judd Apatow’s near-brilliant movie about a grown-up geek who simply lost interest in trying to get laid. Both offer countless giddy variations…

Get Gertie

You will be forgiven for believing Brian Herzlinger is something of a creepy guy. Certainly, at first (and 23rd) glance, the man seems to be covered in the icky residue of the stunted, the pathetic and the desperate, which makes him like most hopeful young men who move to Los…

Swamp Thing

The Skeleton Key ranks high on the list of 2005’s funniest films, bested only by the first two-thirds of Wedding Crashers, all of The Aristocrats, and that part in Stealth where the airplane starts sassing Josh Lucas. Doubtful that was the intention of director Iain Softley (K-PAX, an inexplicably well-regarded…

Happy Surprise

If for no other reason, Happy Endings deserves its soft spot in our collective hearts for rescuing Tom Arnold from the why-are-they-now? scrap heap. The former Mr. Roseanne Barr plays Frank, a widower who falls for and sleeps with his son’s conniving would-be girlfriend Jude, played by Maggie Gyllenhaal. And…

White Trash

And so, once more, the googolplex emits the stink of the network rerun, this week offering yet another worthless big-screen take on small-screen detritus. As Hollywood wonders — cries, actually, over spilt spoiled milk — why audiences are staying away from theaters, offering theories ranging from the absence of such…

Bad News

Going to the theater this summer has been like stepping into a time machine where your fondest childhood memories are retooled by cynics and sadists. Bewitched, Herbie: Fully Loaded, last week’s Charlie and the Chocolate Factory, and now Bad News Bears are meant to be gobbled like comfort food by…

Comic Relief

Movies based on comic books have become dime-a-dozen events — appropriate given that the cover price of these titles was 10 cents when they debuted decades ago. It wasn’t so long ago Warner Bros. teased the release of Richard Donner’s Superman by insisting, “You’ll believe a man can fly”; now,…

Always a Bridesmaid

If Vince Vaughn puts any effort into what he’s doing, it doesn’t show, which is perhaps one of the benefits of always appearing to be hung over. The man probably has to check the bags under his eyes at the airport, and he’s about as in shape as a toddler’s…

Gross Encounters

Quite simply and quite literally, Steven Spielberg’s adaptation of H.G. Wells’ War of the Worlds is Close Encounters of the Third Kind turned inside out: They’re still out there, only this time the aliens are out for our blood, which they spray all over the countryside like so much red…

Car Trouble

Anyone who would insist that movie reviewing is not a real job (‘Sup, Mom) hasn’t been forced to sit through screenings of Bewitched and Herbie: Fully Loaded in the span of five days — and by forced, I mean either you see both movies, write 800 words about each, or…

Cursed

Bewitched may go down as the first movie about a fictional failed actor that created a real-life failed actor. This hackneyed, hapless, and utterly useless redo of an overrated 1960s sitcom is excruciating to sit through for a dozen reasons. But nothing is more intolerable than the sight of Will…

The Wiz

For all their exceptionality, there is also a numbing sameness to the movies of Hayao Miyazaki, the revered animator who has bewitched Japanese audiences since the late 1970s and bewildered American ones since 1999, when Princess Mononoke was among the first of his movies to receive significant stateside release. There…

Bat Cave-In

DC Comics has kept its superheroes locked in a fortress of solitude for almost a decade, forcing the likes of Superman and Batman to warm the bench while longtime rival Marvel Comics’ Spider-Man and the Hulk and the X-Men and Blade galloped up and down the playing field. Not counting…

Skate Bored

Lords of Dogtown is an odd, disorienting commodity — a fictional version of a documentary (Dogtown and Z-Boys) about the birth of skateboarding in 1970s Venice, California, that was written by the man who directed said doc, in which he was a central figure. Stacy Peralta, whose Dogtown and Z-Boys…

Broke, But Not Broken

There was no reason to expect much from Cinderella Man, Ron Howard’s biography of boxer James Braddock, who in the summer of 1935 became the most unlikely heavyweight champion in the history of boxing. After all, it’s a true tale whose outcome has been predetermined; surely there could be no…

Excess Hollywood

By our count, there are but two sequels waiting to have oil rubbed on their backs this summer — one featuring an evil lord named Vader, the other featuring an evil lord named Schneider — so the season has that going for it, which is nice. But in lieu of…

Animal Crackers

It’s fair to say that Madagascar, directed by one man who made Antz and another who used to work on Ren & Stimpy, is virtually plot-free — nothing more, really, than a scene or two from The Great Escape cut and pasted into an episode of Survivor. Its threadbare story…