Adam Sandler cast as a former pro quarterback — that laughable setup is about the only funny thing about this pointless, witless remake of The Longest Yard, which wasn’t intended to be taken as a comedy in 1974 and won’t be mistaken for one in its latest incarnation. (It was…

It’s a question to which the response should be more than a shrug, but it’s the only thing I can offer anyone who asks, “So, how was it?” The final installment in the mostly irrelevant second Star Wars trilogy is far superior to its immediate two predecessors, The Phantom Menace…

The mockumentary is a tricky thing and not to be attempted by amateurs, many of whom treat the form like a joke without need of a punch line; damn the filmmaker who thinks it clever and ironic enough to “interview” “real people” “talking” about other “real people” who, of course,…

It is no great joy to review Palindromes, the latest film from writer-director Todd Solondz, who is loved by those who do not loathe him for such movies as Welcome to the Dollhouse, Happiness, and Storytelling. Advance word had Palindromes as Solondz’s most shocking film, which seemed impossible, given its…

Much of Crash, an L.A.-stories portmanteau about the suffocating embrace of racism, is hard to watch, harder still to listen to. Its characters — the creations of co-writer and director Paul Haggis but also of people who live next door and perhaps even inside of you — say and do…

Author Douglas Adams died at age 49 on May 11, 2001, of a heart attack suffered during a workout at a Santa Barbara, California, gym. His biographer, M.J. Simpson, blamed Adams’ demise in part on his unending battle to get The Hitchhiker’s Guide to the Galaxy on a big screen,…

Among the many mysteries surrounding The Interpreter is the one that finds Sydney Pollack heralded as a major American director, a maker of Serious and Important Movies. His filmography, marked by mawkish mediocrities (Out of Africa, as vibrant as a coffee-table book; The Way We Were, its romance as plausible…

Sahara is a stunning piece of work — stunningly inept, stunningly incoherent, stunningly awful in every single way imaginable. How this didn’t go directly to video or cable or airplane or bootleg is unfathomable. Actually, that’s not entirely true. It gets a proper blockbuster theatrical release through Paramount Pictures because…

If nothing else, Robert Rodriguez’s Sin City, co-directed with Frank Miller (and Quentin Tarantino, for a few seconds), will be remembered as the most faithful comic-book adaptation ever put on film (or high-def video, anyway). Rodriguez uses Miller’s hyper-noir serial, published over a 10-year period, as storyboards for the movie…

Damian Cunningham has the face of an angel — calm and cool blue eyes perched above freckled cheeks and a benevolent grin — which is only appropriate for a 7-year-old boy who speaks with the late, great saints, among them Peter, Joseph, Claire, and, of course, Francis of Assisi. Damian…

“Better than I thought it’d be,” was the refrain repeated by those exiting the preview screening of Guess Who, which doesn’t mean much — freebie audiences expect nothing and usually receive it. But in this case, it neatly summed up the experience of catching Ashton Kutcher in a part once…

The Upside of Anger belongs to Joan Allen, who plays Terry Wolfmeyer, a wife abandoned by her husband and left to pick up the pieces and collect them in a giant bottle of vodka. Terry’s is the cold, composed visage of a woman struggling to keep it together; through her…

“From the creators of Ice Age,” boasts the poster for Robots, which is no ringing endorsement. That 2002 animated feature, a sort of Three Mammals and a Baby in a prehistoric setting, looked and felt every bit as frigid as its snowbound scenery; it was impossible to warm to a…

The Pacifier, starring the human battering ram Vin Diesel as a Navy SEAL ordered to protect five kids from baddies out to steal their dead dad’s invention, was written by Thomas Lennon and Robert Ben Garant, two members of the defunct MTV comedy troupe The State. Lennon, however, is best…

The novel Be Cool, written by Elmore Leonard in 1999 while the ink was still wet on the publisher’s advance, existed only because the beloved writer of seedy thrillers and Westerns knew it was guaranteed gold — the sequel to the 1991 hit novel Get Shorty that, in 1995, became…

At first (and second and maybe even third) glance, it’s all so familiar: Keanu Reeves shrouded in a black trench coat that flaps behind him like a superhero’s wings, moving between netherworlds and a real world used as a battleground, breeding ground, and playground for higher beings amused and appalled…

One should expect little from the man who has directed an Olsen Twins movie (It Takes Two, the one with Steve Guttenberg, no less), Matthew Perry’s first Friends-to-film entry (Fools Rush In, its title an apparent nod to audiences who went to see it), and Sweet Home Alabama, one of…

PARK CITY, UTAH — John Singleton, director of Boyz N the Hood, was all warm grins at the frigid outdoor party on January 22, and with good reason. Hustle & Flow, a movie he produced for 33-year-old writer-director Craig Brewer, was in the process of being sold for $9.5 million…

Assault on Precinct 13, the sluggish remake of John Carpenter’s grungy 1976 movie of the same name, begins with a bang to which it never lives up. In a smoky den of all manner of iniquity, Ethan Hawke’s trying to close a drug deal. With his girl splayed out on…

The story is simple enough: Sometime during the dying days of the T’ang Dynasty in China, though it could really be any time and any place, two cops named Leo (Andy Lau) and Jin (Takeshi Kaneshiro) sit in a station house drinking tea. They decide one of them will go…

Paul Weitz, with brother Chris, co-wrote and co-directed 2002’s adaptation of Nick Hornby’s novel About a Boy, in which a cocky grown man (Hugh Grant) learned how to actually act like a grown man by observing a gawky young boy (Nicholas Hoult) who was nearly abandoned by his suicidal mother…